![]() ![]() Later albums, including Innervisons, Fulfillingness ’ First Finale and Songs in the Key of Life, continued his streak of successes and earned him multiple Grammy A wards. His next album, Talking Book featured the hits “You Are the Sunshine of My Life” and “Superstition.” Stevie also took an unusual step for a Motown artist by going on tour with the British rock band the Rolling Stones, which brought his music to an audience with different musical tastes. The first, 1972’s Music of My Mind, was groundbreaking in its development of a unified album theme, his use of synthesizer pioneers, and the inclusion of social topics. Stevie received full creative control of his work after he turned 21, and began to write, perform and produce the albums for which he is most well – known. More #1 hits followed, including “Uptight (Everything Is Alright),” “With a Child’s Heart” and the socially conscious cover of Bob Dylan’s “ Blowin ’ in the Wind.” During this period, Stevie began to work as a songwriter, penning the Miracles’ “Tears of a Clown” and the Spinners’ “It’s a Shame,” among other tunes A musical genius, Stevie could do it all: h e sang, he played multiple instruments and he wrote music that was often ahead of its time.įrom precocious pre-teen to prodigious producer, Stevie’s first #1 hit, “Fingertips, Part 2,” burst on the scene in 1963 after being recorded live during the Motortown Revue. Steveland Judkins Morris was only 11 years old when Motown signed him to a contract in 1961.
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